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Wolfe, Tom A Man in Full
New York Farrar, Straus and Giroux 12-Nov-98 374270325 N Hardcover
Amazon.com&newline;Ever since he published his classic 1972 essay &doublequote;Why They Aren't Writing the Great American Novel Anymore,&doublequote; Tom Wolfe has made his fictional preferences loud and clear. For New Journalism's poster boy, minimalism is a wash, not to mention a failure of nerve. The real mission of the American writer is to produce fat novels of social observation--the sort of thing Balzac would be dishing up if he had made it into the Viagra era. Wolfe's manifesto would have had a hubristic ring if he hadn't actually delivered the goods in 1987 with The Bonfire of the Vanities. Now, more than a decade later, he's back with a second novel. Has the Man in White lived up to his own mission?&newline;&newline;On many counts, the answer would have to be yes. Like its predecessor, A Man in Full is a big-canvas work, in which a multitude of characters seems to be ascending or (rapidly) descending the greasy pole of social life: &doublequote;In an era like this one,&doublequote; a character reminds us, &doublequote;the twentieth century's fin de siècle, position was everything, and it was the hardest thing to get.&doublequote; Wolfe has changed terrain on us, to be sure. Instead of New York, the focus here is Atlanta, Georgia, where the struggle for turf and power is at least slightly patinated with Deep South gentility. The plot revolves around Charlie Croker, an egomaniacal good ol' boy with a crumbling real-estate empire on his hands. But Wolfe is no less attentive to a pair of supporting players: a downwardly mobile family man, Conrad Hensley, and Roger White II, an African American attorney at a white-shoe firm. What ultimately causes these subplots to converge--and threatens to ignite a racial firestorm in Atlanta--is the alleged rape of a society deb by Georgia Tech football star Fareek &doublequote;The Cannon&doublequote; Fanon.&newline;&newline;Of course, a detailed plot summary would be about as long as your average minimalist novel. Suffice it to say that A Man in Full is packed with the sort of splendid set pieces we've come to expect from Wolfe. A quail hunt on Charlie's 29,000-acre plantation, a stuffed-shirt evening at the symphony, a politically loaded press conference--the author assembles these scenes with contagious delight. The book is also very, very funny. The law firms, like upper-crust powerhouse Fogg Nackers Rendering & Lean, are straight out of Dickens, and Wolfe brings even his minor characters, like professional hick Opey McCorkle, to vivid life: In true Opey McCorkle fashion he had turned up for dinner wearing a plaid shirt, a plaid necktie, red felt suspenders, and a big old leather belt that went around his potbelly like something could hitch up a mule with, but for now he had cut off his usual torrent of orotund rhetoric mixed with Baker Countyisms. Readers in search of a kinder, gentler Wolfe may well be disappointed. Retaining the satirist's (necessary) superiority to his subject, he tends to lose his edge precisely when he's trying to move us. Still, when it comes to maximalist portraiture of the American scene--and to sheer, sentence-by-sentence amusement--1998 looks to be the year of the Wolfe, indeed. --James Marcus &newline;&newline;Amazon.com Audiobook Review&newline;Choosing David Ogden Stiers (M*A*S*H, The Accidental Tourist) to narrate this sprawling tale of contemporary American society was an act of inspired audio casting. The familiar, snobbish qualities of his warm yet condescending voice perfectly match author Tom Wolfe's own carefully sculpted persona of haughty disdain and color the recording with an interesting sense of authenticity. Without indulging in overwrought characterizations, Stiers manages to create enough distinction between players to keep this sweeping epic coherent. There are moments that find him overreaching, but when voicing a novel this broad, some notes are bound to ring false. Overall, Stiers's abridged reading is an intelligent, entertaining rendition of Wolfe's scrupulously detailed and bitingly funny portrait of America at the turn of the millennium. (Running time: 8.5 hours, 6 cassettes) --George Laney --This text refers to the Audio Cassette edition.
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6.00 USD
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Wolfe, Tom Hooking Up
New York Farrar, Straus and Giroux 31-Oct-00 374103828 Hardcover
Tom Wolfe's name is now so well known that the cover of his new collection bears just that: Tom Wolfe's name. No title, no picture, just the name, with an elegant design twining through it. Flip the thing on its side and you'll find that its title, Hooking Up, gives little idea of its function. But investigation soon reveals an oleo of reportage, fiction, and acrimonious name-calling. The latter, of course, makes for the best reading. In My Three Stooges, Wolfe reviles the three big men of American letters--Updike, Mailer, and Irving--who cast aspersions on his second novel. Apparently, the allergens for jealousy were present. Both Updike and Mailer had books out at the same time as A Man in Full, and theirs had sunk without a bubble. With Irving there was the Dickens factor. Wolfe gets in a lot of figures about what a big hit his book was with the reading public, and a few gentle reminders about other writers who were big hits of their times--little guys like Twain and Tolstoy. Equally bitter fun are his two famous 1965 satires from the New York Herald Tribune. As always, Wolfe's titles lead you a good way into the actual stories: Tiny Mummies! The True Story of the Ruler of 43rd Street's Land of the Walking Dead! and Lost in the Whichy Thickets: The New Yorker. Wolfe, clotheshorse of note, gets off some of his best cracks at the expense of New Yorker editor William Shawn's fashion sense: He always seems to have on about twenty layers of clothes, about three button-up sweaters, four vests, a couple of shirts, two ties, it looks that way, a dark shapeless suit over the whole ensemble, and white cotton socks. The rest of the reported pieces are unexceptional, and while the novella Ambush at Fort Bragg makes the most of its setting--a Dateline-like newsmagazine--it lacks the irresistible momentum required to drag most readers into a novella. Still, it's fun to watch the author reprise his lifelong role of unlikely underdog: between his sniping at the literary elite and his mocking of the precious New Yorker set, Tom Wolfe makes like a defender of the common man. --Claire Dederer Arch, vengeful and incisive as ever, the standard bearer for the chattering classes is back, this time with a collection of nine previously published essays, one new one and a reprinted novella. Ranging from the spectacular innovations of neuroscience to the preposterous horrors of the contemporary art world to a bare-knuckled assessment of the critical reception to his novel A Man in Full (an essay that appears for the first time in this collection, and that will set tongues wagging), the pieces run the gamut of Wolfe's signature obsessions. Fans of his character sketches will relish Two Young Men Who Went West, a revelatory profile of Robert Noyce, a key innovator of the microchip who founded Intel in 1968, where the midwestern Congregationalist values he shared with his former mentor, William Shockley (founder of the original Silicon Valley startup, Shockley Semiconductor Laboratory), grew into a business philosophy that's now so pervasive it's practically in the ether. Also included are Wolfe's infamous, irreverent profiles of New Yorker editors Harold Ross and William Shawn, originally published in 1968. Lopped off of Wolfe's most recent fiction opus, the novella Ambush in Fort Bragg concerns a TV sting run amok, and sits easily next to his journalism. However, Wolfe's meticulous eye for detail shows signs of jaundice in his hectoring anti-Communist tirades and in the title essay, which turns a snide backward glance on the turn of the millennium. Still, his fans will find plenty of evidence that Wolfe remains willing to plunge into the raw, raucous, lust-soaked rout that throbs with amped-up octophonic typanum all around [him] and thatDespecially in his nonfictionDhe can still grab the brass ring. Agent, Janklow & Nesbitt Associates. (Oct..-- and thatDespecially in his nonfictionDhe can still grab the brass ring. Agent, Janklow & Nesbitt Associates. (Oct.) Copyright 2000 Reed Business
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26.00 USD
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