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Holman, Sheri The Dress Lodger
Ballantine Books 2-Jan-01 345436911 Paperback
The Dress Lodger is engrossing historical fiction. As in the best of its genre, Sheri Holman's atmospheric, miasmic tale set in cholera-stricken Sunderland, England, circa 1831 is based on fact. Its epigraph from Ambrose Bierce's Devil's Dictionary--Grave: A place where the dead are laid to await the coming of the medical student--casts the novel's thematic lodestone, steering the reader into a deathly plot pursued through streets emanating the sounds, insufferable smells, humor, adversities, and disease of an early-19th-century industrial city. Fifteen-year-old Gustine--the dress lodger--is a potter's assistant by day, prostitute by night. Her overbearing pimp and landlord has her permanently shadowed by an indefatigable, mysterious old woman called Eyeball or Evil Eye or Gray Sister by boys who have read their Homer, but mostly called just plain Eye. Otherwise how could he guard his investment in the startling blue dress in which Gustine rents herself? Her trade, he explains, works on this basic principle: a cheap whore is given a fancy dress as a higher class of prostitute, the higher the station of the clientèlle; the higher the station, the higher the price. Gustine's garment beckons Henry Chiver, an ambitious young surgeon who has fled Edinburgh, having been implicated in the convictions of infamous pioneer anatomists Burke and Hare for murder and grave robbing. For this doctor, desperate to reestablish his tarnished reputation through medical discovery, the heart is the favorite organ, the singular fascination of his life. But to further his researches, and quell the increasing demands of his paying students--who are restless for induction into the arts of the scalpel--Henry requires dead bodies for dissection, to the horror of his naïve, philanthropic fiancée. But the Anatomy Act, which allows doctors to obtain corpses legally, has yet to pass through Parliament, and a suspicious public is terrifying itself with stories of murderous burkers. Street-smart Gustine, a pragmatist trapped in unrelenting poverty, is all heart for her nameless little son who wears--literally--his heart on the outside. His rare case of ectopia cordis is just the sort of anatomical anomaly whose study would make a name for the doctor. Amid the gathering momentum of the cholera epidemic, Henry and Gustine strike up a fatal pact: life for her son in exchange for a fresh supply of dead bodies for Henry's dissection. With mordant Dickensian wit and Elizabeth Gaskell's deft touch for gutsy outcast women seizing control of their destiny, Sheri Holman carves out a rich, imaginative adventure as incisive and as gruesomely fascinating as a 19th-century operating theater. --Rachel Holmes --This text refers to an out of print or unavailable edition of this title. Scrawny and tough, only 15, Gustine is the heartrending protagonist of Holman's brilliantly stark portrayal of 19th-century urban life, class warfare, cruel medicine and encroaching pestilence in the English city of Sunderland. With remarkable breadth and depth, the narrative vividly portrays the human suffering spawned by the early Industrial Revolution. Inhabitants of city slums endure oozing sores, infections, liceAnot to mention the devastating cholera morbus making its lethal way through Sunderland's population. Gustine works two jobs to support her beloved illegitimate infant, who was born with his heart outside his chest cavity. By day she's a potter's assistant, but to earn enough to live, by night she walks the streets wearing an expensive, elegant blue gown supplied by her pimp/landlord as a ploy to attract higher-class tricks. Pimp Whilky Robinson employs a deaf-mute, one-eyed old woman to follow Gustine constantly, to protect the dress, his treasured investment. Gustine hates the old woman, called The Eye, but cannot shake this all-seeing symbol of mortality and fate (Does not old age always dog youth? Does not monstrosity forever shadow beauty?). Seeking medical help for her ailing child, Gustine strikes up an alliance with
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Holman, Sheri The Dress Lodger
New York Atlantic Monthly Pr Jan-00 871137534 N Hardcover
Amazon.com&newline;The Dress Lodger is engrossing historical fiction. As in the best of its genre, Sheri Holman's atmospheric, miasmic tale set in cholera-stricken Sunderland, England, circa 1831 is based on fact. Its epigraph from Ambrose Bierce's Devil's Dictionary--&doublequote;Grave: A place where the dead are laid to await the coming of the medical student&doublequote;--casts the novel's thematic lodestone, steering the reader into a deathly plot pursued through streets emanating the sounds, insufferable smells, humor, adversities, and disease of an early-19th-century industrial city. &newline;&newline;Fifteen-year-old Gustine--the dress lodger--is a potter's assistant by day, prostitute by night. Her overbearing pimp and landlord has her permanently shadowed by an indefatigable, mysterious old woman &doublequote;called Eyeball or Evil Eye or Gray Sister by boys who have read their Homer, but mostly called just plain Eye.&doublequote; Otherwise how could he guard his investment in the startling blue dress in which Gustine rents herself? Her trade, he explains, &doublequote;works on this basic principle: a cheap whore is given a fancy dress as a higher class of prostitute, the higher the station of the clientèlle; the higher the station, the higher the price.&doublequote; Gustine's garment beckons Henry Chiver, an ambitious young surgeon who has fled Edinburgh, having been implicated in the convictions of infamous pioneer anatomists Burke and Hare for murder and grave robbing. For this doctor, desperate to reestablish his tarnished reputation through medical discovery, the heart is the favorite organ, &doublequote;the singular fascination of his life.&doublequote; But to further his researches, and quell the increasing demands of his paying students--who are restless for induction into the arts of the scalpel--Henry requires dead bodies for dissection, to the horror of his naïve, philanthropic fiancée. But the Anatomy Act, which allows doctors to obtain corpses legally, has yet to pass through Parliament, and a suspicious public is terrifying itself with stories of murderous &doublequote;burkers.&doublequote; &newline;&newline;Street-smart Gustine, a pragmatist trapped in unrelenting poverty, is all heart for her nameless little son who wears--literally--his heart on the outside. His rare case of ectopia cordis is just the sort of anatomical anomaly whose study would make a name for the doctor. Amid the gathering momentum of the cholera epidemic, Henry and Gustine strike up a fatal pact: life for her son in exchange for a fresh supply of dead bodies for Henry's dissection. With mordant Dickensian wit and Elizabeth Gaskell's deft touch for gutsy outcast women seizing control of their destiny, Sheri Holman carves out a rich, imaginative adventure as incisive and as gruesomely fascinating as a 19th-century operating theater. --Rachel Holmes &newline;&newline;From Publishers Weekly&newline;Scrawny and tough, only 15, Gustine is the heartrending protagonist of Holman's brilliantly stark portrayal of 19th-century urban life, class warfare, cruel medicine and encroaching pestilence in the English city of Sunderland. With remarkable breadth and depth, the narrative vividly portrays the human suffering spawned by the early Industrial Revolution. Inhabitants of city slums endure oozing sores, infections, liceAnot to mention the devastating cholera morbus making its lethal way through Sunderland's population. Gustine works two jobs to support her beloved illegitimate infant, who was born with his heart outside his chest cavity. By day she's a potter's assistant, but to earn enough to live, by night she walks the streets wearing an expensive, elegant blue gown supplied by her pimp/landlord as a ploy to attract higher-class tricks. Pimp Whilky Robinson employs a deaf-mute, one-eyed old woman to follow Gustine constantly, to protect the dress, his treasured investment. Gustine hates the old woman, called &doublequote;The Eye,&doublequote; but cannot shake this all-seeing symbol of mortality and fate (&doublequote;Does not old age always dog youth? Does not monstrosity forever shadow beauty?&doublequote;). Seeking medical help for her ailing child, Gustine strikes up an alliance with surgeon and anatomist Dr. Henry Chivers. The doctor needs corpses for diss
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