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Kingsolver, Barbara. ANIMAL DREAMS.
New York, NY Harper Collins, 1990 006016350X / 9780060163501 N Hardcover
From Library Journal&newline;Codi Noline returns to the sleepy mining town of Grace, Arizona, to care for her father, who is suffering from Alzheimer's disease. It is a bad time for her: disappointed in her personal life, she has closed down her emotions in defense against a heart that cares too easily. &doublequote;I had quietly begun to hope for nothing at all in the way of love, so as not to be disappointed,&doublequote; she muses. In Grace, she finds friends, allies, and a love that endures. This strong second novel confirms the promise shown in The Bean Trees (LJ 2/1/88), a deserved critical and commercial success. Kingsolver's characters are winners, especially the women, who take charge of life without fuss or complaint. Her novel compares to those of Ann Tyler in its engaging people and message that is upbeat but realistic. Kingsolver's dedication to complex social and environmental causes enriches the story line. Highly recommended. Previewed in Prepub Alert, LJ 4/15/90.&newline;- David Keymer, SUNY Inst. of Technology, Utica&newline;Copyright 1990 Reed Business Information, Inc.
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Kingsolver, Barbara High Tide in Tucson: Essays from Now or Never
Harper Perennial 9-Oct-96 60927569 Paperback
Novelist Kingsolver (Pigs in Heaven) is not one to let her miscellany stagnate; she has revised or expanded many of the 25 essays included here, most of which have previously been published, and yes, there are thematic links in her view of family, writing, politics and places. The strongest link is Kingsolver's wise and spirited voice, animated by poetic and precise language. A Kentucky transplant to Arizona, Kingsolver recounts the triumph and pathos of her return home as a novelist; she also delights in recollecting her role in the notorious Rock Bottom Remainders, the band of writers famous for their ABA performances. Raising children is a patient alchemy, she declares; indeed, her self-imposed exile during the Gulf War led her to Spain's Canary Islands and an atmosphere of much greater affection for kids. Reports from Benin and Hawaii, even her aquarium, show the author to be a curious and sensitive observer. Most telling perhaps are Kingsolver's reflections on her mission: because it aims to convey truths we know but can't feel, [g]ood art is political, whether it means to be or not. Illustrations. Literary Guild alternate. -ood art is political, whether it means to be or not. Illustrations. Literary Guild alternate. Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. YA?Displaying a diverse background and multiple interests, Kingsolver has written about subjects as varied as the biological clock of hermit crabs, tourist wanderings in Benin, and visiting an obsolete Titan missile site. The recurring themes here are the wonder and excitement of parenting; the respect for all creatures, religions, and points of view; and the importance of the natural world in our lives. She weaves these themes throughout her essays and presents readers with a vision of beliefs too often undervalued in our modern world. The author, a skilled observer of both people and nature, claims to want to know and to write, about the places where disparate points of view rub together?the spaces between. These essays are her attempts to open the doors for her readers to see into those spaces.?Penny Stevens, Fairfax County Public Library, VA Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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Kingsolver, Barbara Pigs in Heaven
Harper Perennial 27-Apr-94 60922532 Paperback
Taylor Greer and her adopted Cherokee daughter Turtle, first met in The Bean Trees , will captivate readers anew in Kingsolver's assured and eloquent sequel, which mixes wit, wisdom and the expert skills of a born raconteur into a powerfully affecting narrative. Now six years old and still bearing psychological marks of the abuse that occured before she was rescued by Taylor, Turtle is discovered by formidable Indian lawyer Annawake Fourkiller, who insists that the child be returned to the Cherokee Nation. Taylor reacts by fleeing her Tucson home with Turtle to begin a precarious existence on the road; skirting the edge of poverty and despair, she eventually realizes that Turtle has become emotionally unmoored. In taking a fresh look at the Solomonic dilemma of choosing between two equally valid claims on a child's life, Kingsolver achieves the admirable feat of making the reader understand and sympathize with both sides of the controversy, as she contrasts Taylor's inalterable mother's love with Annawake's determination to save Turtle from the stigmatization she can expect from white society. The chronicle acquires depth and humor when Kingsolver integrates the story of Taylor's mother Alice, a woman who believes that the Greers are doomed to be a family with no men in it (that she is proven wrong adds a delicious element of romance to the story). Alice's resolve to help her daughter takes her into the heart of the Cherokee Nation and results in an astonishing but credible meshing of lives. In the end, both justice and compassion are served. Kingsolver's intelligent consideration of issues of family and culture--both in her evocation of Native American society and in her depiction of the plight of a single mother--brims with insight and empathy. Every page of this beautifully controlled narrative offers prose shimmering with imagery and honed to simple lyric intensity. In short, the delights of superior fiction can be experienced here. 100,000 first printing; $125,000 ad/promo; BOMC alternate; author tour. Copyright 1993 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. YA-When a young Cherokee tribal lawyer comes to the door to claim Taylor's illegally adopted Indian daughter, the white woman must face the fact that her stable life is about to be torn apart. The story follows her and six-year-old Turtle across the West as they flee from the threat of separation and exist on minimum-wage earnings. Meanwhile, Taylor's mother, Alice, leaves her second husband and goes to stay with her cousin in Heaven, Oklahoma. There she meets Cash, a full-blooded Cherokee, who has been living outside the reservation, but yearns to return to his roots. The richness of Indian tribal life is seen through the eyes of Cash, Alice, and Annawake Fourkiller, the lawyer. There are some wonderful scenes revealing Cherokee customs and lifestyles. The stories of the different characters are woven together with humor and sensitivity. When Taylor and Turtle come to the reservation to face their future, readers will feel the adoptive mother's helplessness as she admits that she, too, might have let the child down. The characters are ordinary, yet noble and memorable, and the ending is just and gratifying. The issue of Indian children being adopted outside the tribe is addressed with respect from all sides. Penny Stevens, Fairfax County Public Library, VA Copyright 1993 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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Kingsolver, Barbara Prodigal Summer
New York HarperCollins 17-Oct-00 60199652 Hardcover
There is no one in contemporary literature quite like Barbara Kingsolver. Her dialogue sparkles with sassy wit and earthy poetry; her descriptions are rooted in daily life but are also on familiar terms with the eternal. With Prodigal Summer, she returns from the Congo to a wrinkle on the map that lies between farms and wildness. And there, in an isolated pocket of southern Appalachia, she recounts not one but three intricate stories. Exuberant, lush, riotous--the summer of the novel is the season of extravagant procreation in which bullfrogs carelessly lay their jellied masses of eggs in the grass, apparently confident that their tadpoles would be able to swim through the lawn like little sperms, and in which a woman may learn to tell time with her skin. It is also the summer in which a family of coyotes moves into the mountains above Zebulon Valley: The ghost of a creature long extinct was coming in on silent footprints, returning to the place it had once held in the complex anatomy of this forest like a beating heart returned to its body. This is what she believed she would see, if she watched, at this magical juncture: a restoration. The she is Deanna Wolfe, a wildlife biologist observing the coyotes from her isolated aerie--isolated, that is, until the arrival of a young hunter who makes her even more aware of the truth that humans are only an infinitesimal portion in the ecological balance. This truth forms the axis around which the other two narratives revolve: the story of a city girl, entomologist, and new widow and her efforts to find a place for herself; and the story of Garnett Walker and Nannie Rawley, who seem bent on thrashing out the countless intimate lessons of biology as only an irascible traditional farmer and a devotee of organic agriculture can. As Nannie lectures Garnett, Everything alive is connected to every other by fine, invisible threads. Things you don't see can help you plenty, and things you try to control will often rear back and bite you, and that's the moral of the story. Structurally, that gossamer web is the story: images, phrases, and events link the narratives, and these echoes are rarely obvious, always serendipitous. Kingsolver is one of those authors for whom the terrifying elegance of nature is both aesthetic wonder and source of a fierce and abiding moral vision. She may have inherited Thoreau's mantle, but she piles up riches of her own making, blending her extravagant narrative gift with benevolent concise humor. She treads the line between the sentimental and the glorious like nobody else in American literature. --Kelly Flynn HA beguiling departure for Kingsolver, who generally tackles social themes with trenchantly serious messages, this sentimental but honest novel exhibits a talent for fiction lighter in mood and tone than The Poisonwood Bible and her previous works. There is also a new emphasis on the natural world, described in sensuous language and precise detail. But Kingsolver continues to take on timely issues, here focusing on the ecological damage caused by herbicides, ethical questions about raising tobacco, and the endangered condition of subsistence farming. A corner of southern Appalachia serves as the setting for the stories of three intertwined lives, and alternating chapters with recurring names signal which of the three protagonists is taking center stage. Each character suffers because his or her way of looking at the world seems incompatible with that of loved ones. In the chapters called Predator, forest ranger Deanna Wolfe is a 40-plus wildlife biologist and staunch defender of coyotes, which have recently extended their range into Appalachia. Wyoming rancher Eddie Bondo also invades her territory, on a bounty hunt to kill the same nest of coyotes that Deanna is protecting. Their passionate but seemingly ill-fated affair takes place in summertime and mirrors the eroticism of fecund woods and the season of extravagant procreation. Meanwhile, in the chapters called Moth Love, newly married en
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Kingsolver, Barbara Prodigal Summer: A Novel
Harper Perennial 16-Oct-01 60959037 Paperback
There is no one in contemporary literature quite like Barbara Kingsolver. Her dialogue sparkles with sassy wit and earthy poetry; her descriptions are rooted in daily life but are also on familiar terms with the eternal. With Prodigal Summer, she returns from the Congo to a wrinkle on the map that lies between farms and wildness. And there, in an isolated pocket of southern Appalachia, she recounts not one but three intricate stories. Exuberant, lush, riotous--the summer of the novel is the season of extravagant procreation in which bullfrogs carelessly lay their jellied masses of eggs in the grass, apparently confident that their tadpoles would be able to swim through the lawn like little sperms, and in which a woman may learn to tell time with her skin. It is also the summer in which a family of coyotes moves into the mountains above Zebulon Valley: The ghost of a creature long extinct was coming in on silent footprints, returning to the place it had once held in the complex anatomy of this forest like a beating heart returned to its body. This is what she believed she would see, if she watched, at this magical juncture: a restoration. The she is Deanna Wolfe, a wildlife biologist observing the coyotes from her isolated aerie--isolated, that is, until the arrival of a young hunter who makes her even more aware of the truth that humans are only an infinitesimal portion in the ecological balance. This truth forms the axis around which the other two narratives revolve: the story of a city girl, entomologist, and new widow and her efforts to find a place for herself; and the story of Garnett Walker and Nannie Rawley, who seem bent on thrashing out the countless intimate lessons of biology as only an irascible traditional farmer and a devotee of organic agriculture can. As Nannie lectures Garnett, Everything alive is connected to every other by fine, invisible threads. Things you don't see can help you plenty, and things you try to control will often rear back and bite you, and that's the moral of the story. Structurally, that gossamer web is the story: images, phrases, and events link the narratives, and these echoes are rarely obvious, always serendipitous. Kingsolver is one of those authors for whom the terrifying elegance of nature is both aesthetic wonder and source of a fierce and abiding moral vision. She may have inherited Thoreau's mantle, but she piles up riches of her own making, blending her extravagant narrative gift with benevolent concise humor. She treads the line between the sentimental and the glorious like nobody else in American literature. --Kelly Flynn --This text refers to the Hardcover edition. HA beguiling departure for Kingsolver, who generally tackles social themes with trenchantly serious messages, this sentimental but honest novel exhibits a talent for fiction lighter in mood and tone than The Poisonwood Bible and her previous works. There is also a new emphasis on the natural world, described in sensuous language and precise detail. But Kingsolver continues to take on timely issues, here focusing on the ecological damage caused by herbicides, ethical questions about raising tobacco, and the endangered condition of subsistence farming. A corner of southern Appalachia serves as the setting for the stories of three intertwined lives, and alternating chapters with recurring names signal which of the three protagonists is taking center stage. Each character suffers because his or her way of looking at the world seems incompatible with that of loved ones. In the chapters called Predator, forest ranger Deanna Wolfe is a 40-plus wildlife biologist and staunch defender of coyotes, which have recently extended their range into Appalachia. Wyoming rancher Eddie Bondo also invades her territory, on a bounty hunt to kill the same nest of coyotes that Deanna is protecting. Their passionate but seemingly ill-fated affair takes place in summertime and mirrors the eroticism of fecund woods and the season of extravagant procreation. Meanwhile, in the
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Kingsolver, Barbara The Bean Trees
New York Harper Perennial 29-Mar-89 60915544 Paperback
Feisty Marietta Greer changes her name to Taylor when her car runs out of gas in Taylorville, Ill. By the time she reaches Oklahoma, this strong-willed young Kentucky native with a quick tongue and an open mind is catapulted into a surprising new life. Taylor leaves home in a beat-up '55 Volkswagen bug, on her way to nowhere in particular, savoring her freedom. But when a forlorn Cherokee woman drops a baby in Taylor's passenger seat and asks her to take it, she does. A first novel, The Bean Trees is an overwhelming delight, as random and unexpected as real life. The unmistakable voice of its irresistible heroine is whimsical, yet deeply insightful. Taylor playfully names her little foundling Turtle, because she clings with an unrelenting, reptilian grip; at the same time, Taylor aches at the thought of the silent, staring child's past suffering. With Turtle in tow, Taylor lands in Tucson, Ariz., with two flat tires and decides to stay. The desert climate, landscape and vegetation are completely foreign to Taylor, and in learning to love Arizona, she also comes face to face with its rattlesnakes and tarantulas. Similarly, Taylor finds that motherhood, responsibility and independence are thorny, if welcome, gifts. This funny, inspiring book is a marvelous affirmation of risk-taking, commitment and everyday miracles. Copyright 1988 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. From Library Journal This debut novel follows the gritty, outspoken Taylor Greer, who leaves her native Kentucky to head west. She becomes mother to an abandoned baby and, when her jalopy dies in Tucson, is forced to work in a tire garage and to room with a young, battered divorcee who also has a little girl. With sisterly counsel and personal honesty, the two face their painful lot (told in ponderous detail). The blue-collar setting, described vibrantly, often turns violent, with baby beatings, street brawls, and drug busts. Despite the hurt and rage, themes of love and nurturing emerge. A refreshingly upbeat, presentable first effort by an author whose subsequent novels will probably generate more interest than this one. Edward C. Lynskey, Documentation, Atlantic Research Corp., Alexandria, Va. Copyright 1988 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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Kingsolver, Barbara The Bean Trees Anniversary Edition: A Novel
New York HarperCollins 11-Feb-98 60175796 Hardcover
Feisty Marietta Greer changes her name to Taylor when her car runs out of gas in Taylorville, Ill. By the time she reaches Oklahoma, this strong-willed young Kentucky native with a quick tongue and an open mind is catapulted into a surprising new life. Taylor leaves home in a beat-up '55 Volkswagen bug, on her way to nowhere in particular, savoring her freedom. But when a forlorn Cherokee woman drops a baby in Taylor's passenger seat and asks her to take it, she does. A first novel, The Bean Trees is an overwhelming delight, as random and unexpected as real life. The unmistakable voice of its irresistible heroine is whimsical, yet deeply insightful. Taylor playfully names her little foundling Turtle, because she clings with an unrelenting, reptilian grip; at the same time, Taylor aches at the thought of the silent, staring child's past suffering. With Turtle in tow, Taylor lands in Tucson, Ariz., with two flat tires and decides to stay. The desert climate, landscape and vegetation are completely foreign to Taylor, and in learning to love Arizona, she also comes face to face with its rattlesnakes and tarantulas. Similarly, Taylor finds that motherhood, responsibility and independence are thorny, if welcome, gifts. This funny, inspiring book is a marvelous affirmation of risk-taking, commitment and everyday miracles. Copyright 1988 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. From Library Journal This debut novel follows the gritty, outspoken Taylor Greer, who leaves her native Kentucky to head west. She becomes mother to an abandoned baby and, when her jalopy dies in Tucson, is forced to work in a tire garage and to room with a young, battered divorcee who also has a little girl. With sisterly counsel and personal honesty, the two face their painful lot (told in ponderous detail). The blue-collar setting, described vibrantly, often turns violent, with baby beatings, street brawls, and drug busts. Despite the hurt and rage, themes of love and nurturing emerge. A refreshingly upbeat, presentable first effort by an author whose subsequent novels will probably generate more interest than this one. Edward C. Lynskey, Documentation, Atlantic Research Corp., Alexandria, Va. Copyright 1988 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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Kingsolver, Barbara The Poisonwood Bible
New York HarperCollins 2-Feb-99 60175400 Hardcover
Oprah Book ClubŪ Selection, June 2000: As any reader of The Mosquito Coast knows, men who drag their families to far-off climes in pursuit of an Idea seldom come to any good, while those familiar with At Play in the Fields of the Lord or Kalimantaan understand that the minute a missionary sets foot on the fictional stage, all hell is about to break loose. So when Barbara Kingsolver sends missionary Nathan Price along with his wife and four daughters off to Africa in The Poisonwood Bible, you can be sure that salvation is the one thing they're not likely to find. The year is 1959 and the place is the Belgian Congo. Nathan, a Baptist preacher, has come to spread the Word in a remote village reachable only by airplane. To say that he and his family are woefully unprepared would be an understatement: We came from Bethlehem, Georgia, bearing Betty Crocker cake mixes into the jungle, says Leah, one of Nathan's daughters. But of course it isn't long before they discover that the tremendous humidity has rendered the mixes unusable, their clothes are unsuitable, and they've arrived in the middle of political upheaval as the Congolese seek to wrest independence from Belgium. In addition to poisonous snakes, dangerous animals, and the hostility of the villagers to Nathan's fiery take-no-prisoners brand of Christianity, there are also rebels in the jungle and the threat of war in the air. Could things get any worse? In fact they can and they do. The first part of The Poisonwood Bible revolves around Nathan's intransigent, bullying personality and his effect on both his family and the village they have come to. As political instability grows in the Congo, so does the local witch doctor's animus toward the Prices, and both seem to converge with tragic consequences about halfway through the novel. From that point on, the family is dispersed and the novel follows each member's fortune across a span of more than 30 years. The Poisonwood Bible is arguably Barbara Kingsolver's most ambitious work, and it reveals both her great strengths and her weaknesses. As Nathan Price's wife and daughters tell their stories in alternating chapters, Kingsolver does a good job of differentiating the voices. But at times they can grate--teenage Rachel's tendency towards precious malapropisms is particularly annoying (students practice their French congregations; Nathan's refusal to take his family home is a tapestry of justice). More problematic is Kingsolver's tendency to wear her politics on her sleeve; this is particularly evident in the second half of the novel, in which she uses her characters as mouthpieces to explicate the complicated and tragic history of the Belgian Congo. Despite these weaknesses, Kingsolver's fully realized, three-dimensional characters make The Poisonwood Bible compelling, especially in the first half, when Nathan Price is still at the center of the action. And in her treatment of Africa and the Africans she is at her best, exhibiting the acute perception, moral engagement, and lyrical prose that have made her previous novels so successful. --Alix Wilber In this risky but resoundingly successful novel, Kingsolver leaves the Southwest, the setting of most of her work (The Bean Trees; Animal Dreams) and follows an evangelical Baptist minister's family to the Congo in the late 1950s, entwining their fate with that of the country during three turbulent decades. Nathan Price's determination to convert the natives of the Congo to Christianity is, we gradually discover, both foolhardy and dangerous, unsanctioned by the church administration and doomed from the start by Nathan's self-righteousness. Fanatic and sanctimonious, Nathan is a domestic monster, too, a physically and emotionally abusive, misogynistic husband and father. He refuses to understand how his obsession with river baptism affronts the traditions of the villagers of Kalinga, and his stubborn concept of religious rectitude brings misery and destruction to all. Cleverly, Kingsolver never brings us inside Nathan's head bu
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Kingsolver, Barbara The Poisonwood Bible
Harper Perennial 1-Oct-99 60930535 N Paperback
Amazon.com&newline;Oprah Book ClubŪ Selection, June 2000: As any reader of The Mosquito Coast knows, men who drag their families to far-off climes in pursuit of an Idea seldom come to any good, while those familiar with At Play in the Fields of the Lord or Kalimantaan understand that the minute a missionary sets foot on the fictional stage, all hell is about to break loose. So when Barbara Kingsolver sends missionary Nathan Price along with his wife and four daughters off to Africa in The Poisonwood Bible, you can be sure that salvation is the one thing they're not likely to find. The year is 1959 and the place is the Belgian Congo. Nathan, a Baptist preacher, has come to spread the Word in a remote village reachable only by airplane. To say that he and his family are woefully unprepared would be an understatement: &doublequote;We came from Bethlehem, Georgia, bearing Betty Crocker cake mixes into the jungle,&doublequote; says Leah, one of Nathan's daughters. But of course it isn't long before they discover that the tremendous humidity has rendered the mixes unusable, their clothes are unsuitable, and they've arrived in the middle of political upheaval as the Congolese seek to wrest independence from Belgium. In addition to poisonous snakes, dangerous animals, and the hostility of the villagers to Nathan's fiery take-no-prisoners brand of Christianity, there are also rebels in the jungle and the threat of war in the air. Could things get any worse? &newline;&newline;In fact they can and they do. The first part of The Poisonwood Bible revolves around Nathan's intransigent, bullying personality and his effect on both his family and the village they have come to. As political instability grows in the Congo, so does the local witch doctor's animus toward the Prices, and both seem to converge with tragic consequences about halfway through the novel. From that point on, the family is dispersed and the novel follows each member's fortune across a span of more than 30 years. &newline;&newline;The Poisonwood Bible is arguably Barbara Kingsolver's most ambitious work, and it reveals both her great strengths and her weaknesses. As Nathan Price's wife and daughters tell their stories in alternating chapters, Kingsolver does a good job of differentiating the voices. But at times they can grate--teenage Rachel's tendency towards precious malapropisms is particularly annoying (students practice their &doublequote;French congregations&doublequote;; Nathan's refusal to take his family home is a &doublequote;tapestry of justice&doublequote;). More problematic is Kingsolver's tendency to wear her politics on her sleeve; this is particularly evident in the second half of the novel, in which she uses her characters as mouthpieces to explicate the complicated and tragic history of the Belgian Congo. &newline;&newline;Despite these weaknesses, Kingsolver's fully realized, three-dimensional characters make The Poisonwood Bible compelling, especially in the first half, when Nathan Price is still at the center of the action. And in her treatment of Africa and the Africans she is at her best, exhibiting the acute perception, moral engagement, and lyrical prose that have made her previous novels so successful. --Alix Wilber --This text refers to the Hardcover edition. &newline;&newline;From Publishers Weekly&newline;In this risky but resoundingly successful novel, Kingsolver leaves the Southwest, the setting of most of her work (The Bean Trees; Animal Dreams) and follows an evangelical Baptist minister's family to the Congo in the late 1950s, entwining their fate with that of the country during three turbulent decades. Nathan Price's determination to convert the natives of the Congo to Christianity is, we gradually discover, both foolhardy and dangerous, unsanctioned by the church administration and doomed from the start by Nathan's self-righteousness. Fanatic and sanctimonious, Nathan is a domestic monster, too, a physically and emotionally abusive, misogynistic husband and father. He refuses to understand how his obsession with river baptism affronts the traditions of the villagers of Kalinga, and his stubborn concept of religious rectitude brings misery and destruction to all. Cleverly, King
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