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Rice, Anne ListingsIf you cannot find what you want on this page, then please use our search feature to search all our listings. Click on Title to view full description
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Rice, Anne Blackwood Farm
New York Knopf 29-Oct-02 375411992 Roughcut
In the past few years, many fans have sworn off Anne Rice, flinging her later novels against the wall with cries of First draft! and Never again! But these same fans may want to take a chance on her Southern gothic Blackwood Farm, a fast-paced and erotically charged, though uneven, novel of the Vampire Chronicles. Blackwood Farm has an unusual flaw: it isn't long enough. Many of its triumphs and tragedies demand more development than they receive. Motivations are sometimes unlikely or unexplained, and the ending is far too rushed. Blackwood Farm introduces Quinn Blackwood, the sexy, eccentric young gentleman who becomes both a vampire and the heir to the Blackwood estate. All his life, Quinn has been haunted by Goblin, a doppelgänger no one else can see--or believe in. But Goblin is real, and he is becoming maliciously tangible, strengthened by the blood that Quinn unwillingly drinks. Quinn's only hope of liberation from his increasingly dangerous doppelgänger is to find the legendary vampire Lestat. But Lestat has vowed to destroy any vampire who sets foot in New Orleans.... Blackwood Farm features characters from both the Vampire Chronicles and the Mayfair Witches series, but this self-contained novel makes a good entry point for newcomers to Anne Rice's fictional world (however, Vampire Chronicle virgins really should start with Interview With the Vampire, the first in the series and arguably the finest vampire novel of the 20th century). --Cynthia Ward Just in time for Halloween, Rice's latest gothic epic blends her beloved Vampire Chronicles with her Mayfair Witches series. Near the dank Sugar Devil Swamp, sinister bayou country where critters far more fearsome than gators lurk, overheated Quinn Blackwood suffers a protracted case of adolescent angst driven by his violent love-hate relationship with Goblin, his spirit-world doppelganger. As heir to Blackwood Farm and an enormous fortune, Quinn enjoys every luxury the decadent Deep South of Rice's imagination can provide, from culinary delicacies to Jasmine, his equally satisfying mulatto housekeeper. Seemingly hell-bent on seducing everyone within range, regardless of gender, age or consanguinity, he falls into a passionate but fatal relationship with 15-year-old nymphomaniac Mona Mayfair, offshoot of the Mayfair clan of witches. But he cannot control Goblin's ferocious jealousy or his nefarious double's taste for blood, particularly once Quinn is made into a Blood Hunter by Petronia, a malignant bisexual spirit who stalks the haunted family cemetery at the edge of the swamp. Rice fleshes out her slim plot line with gory set pieces of vampire history in ancient Athens, Pompeii and 19th-century Naples. She excels at vivid descriptions of macabre landscapes, gloomy estate houses and the lust that motivates her Blood Hunters and propels her ghoulish narratives. Her dialogue and characterizations, however-even of the durable Vampire Lestat, called upon by Quinn for deliverance from Goblin and Sugar Devil Swamp's unholy spirits-are flat and predictable here. But it's intrigue, eroticism and obsession that fans want, and they'll find plenty of all three. Copyright 2002 Reed Business Information, Inc.
Price:
21.48 USD
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Rice, Anne Merrick
New York Knopf 17-Oct-00 679454489 Hardcover
Just when you thought it was safe for a bloodsucker to go out in the dark in New Orleans, along comes Merrick Mayfair, a sultry, hard-drinking octoroon beauty whose voodoo can turn the toughest vampire into a marionette dancing to her merry, scary tune. In Merrick, Anne Rice brings back three of her most wildly popular characters--the vampires Lestat and Louis and the dead vampire child Claudia--and introduces them to the world of her Mayfair Witches book series. It is Louis who brings about the collision of the fang and voodoo universes. Louis made Claudia a vampire in Rice's classic Interview with the Vampire, in which she was destroyed, and now he's obsessed with raising her ghost to make amends and seek guidance from the beyond. (Claudia physically resembles Rice's young daughter who died of a blood-related illness. Rice nearly died of a diabetic coma in 1998, and writing Merrick turned her excruciating recovery into an exhilarating burst of creativity). Vampire David Talbot lobbies Merrick to call Claudia's spirit and slake Louis's guilt, but Talbot winds up in the grip of an obsession with the witch. You see, Talbot, unlike most vampires, lived 70 years as a human, so his sexual response to humans is still as strong as his blood thirst. Merrick can cast spells to make men crave her, and Talbot is tormented. After she reads his palm, he muses, I wanted to take her in my arms, not to feed from her, no, not harm her, only kiss her, only sink my fangs a very little, only taste her blood and her secrets, but this was dreadful and I wouldn't let it go on. The secrets of Merrick are dark and sensuous, but the book is a romp animated by Rice's feeling of coming back to life through the magic of a literary outpouring. The narrative flashes back to the past, to an Indiana Jones-ish adventure in a Guatemalan cave, and to scenes from many other Rice novels. It may be helpful to read Merrick with the Rice-approved guidebooks The Vampire Companion and The Witches' Companion at hand. After many books, Rice's grand Vampire Chronicles tale was in peril of getting long in the tooth. Merrick Mayfair's magic represents an infusion of fresh blood. --Tim Appelo The 22nd novel from the dazzlingly popular vampire chronicler (The Vampire Lestat, The Witching Hour, etc.) brings her familiar undead characters into New Orleans's underworld of witches, and then to the jungles of Central America. Charismatic, biracial Merrick Mayfair comes from a New Orleans caste bound up with traditions of voodoo; she's also descended from the powerful Mayfair witch clan. Once a supernatural detective, now a vampire himself, narrator David Talbot took care of Merrick when she was in her teens, but hasn't seen her in years. Rice-watchers will remember Talbot and the Mayfairs, and also the vampire Louis de Pointe du Lac and the girl Claudia, who now torments Louis from the afterworld. When Louis asks Talbot to raise Claudia's ghost, Talbot pleads with Merrick to use her rare talentsAand to revisit the past they share. Can Merrick really conjure the dead? Should she? What of the unspoken erotic charge between Talbot and Merrick? What secrets lie in the magical artifacts Merrick will have to find, and then to wield? And what do they have to do with her dead parents? This volume merges several long-running plots; the first chapters sag with the weight of their exposition, and the prose seems overheated even for Rice. Vampire fans will no doubt plunge on, however; soon enough, Merrick must revisit the Guatemalan rainforest, where she traveled as a young girl, to locate a secret treasure trove of ominous ancient runes. Displaying her imaginative talents for atmosphere and suspense, Rice creates a riveting scene that shows Merrick's awesome magic at work. A potent cameo from the vampire Lestat, with whom the fabled series began, leaves hints of more dark tales to come. 750,000 first printing; BOMC and Science Fiction Book Club main selections; Literary Guild selection; QPB alternate; Doubleday Book Club featured alternate.
Price:
18.79 USD
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Rice, Anne Vittorio the Vampire: New Tales of the Vampires
Knopf 16-Mar-99 375401601 Hardcover
Tired of the same old vampires? Check out Anne Rice's new race of undead bloodsuckers, independent of the Lestat series. Her alterna-vamp books began with Pandora, but the second of her New Tales of the Vampires, Vittorio, is truly a new beginning--a more controlled story and probably the best of her last half-dozen books. Rice has called Vittorio her vampire version of Romeo and Juliet. The hunky Vittorio is sweet 16 and incalculably rich in 15th-century Italy, the epoch of the Medicis and Vittorio's favorite painter, madly passionate Filippo Lippi. Florence is to Vittorio what New Orleans is to Interview with the Vampire. One night, Vittorio's family is butchered by vampires. The gorgeous Ursula spares Vittorio to make him her reluctant undying sweetheart. Ursula's ravishings of Vittorio recall the erotica Rice wrote under her own name and the pen names Anne Rampling and A.N. Roquelaure. Vittorio flees to the creepy town of Santa Maddalana, which has made a pact to sacrifice its young to Lord Florian's vampire horde. Vittorio is bent on revenge as he invades the eerie Court of the Ruby Grail (i.e. blood), as angry with the child-sacrificing humans as he is with Florian's fang gangsters. Torn between lust, murderous rage, and vampire thirst, Vittorio is one interestingly troubled soul. Rice urges readers to enter Vittorio's world by reading the sources she embroiders, Fra Filippo Lippi and Public Life in Renaissance Florence, and to get a feel for the scary communion Vittorio sees in the Court of the Ruby Grail by listening to All Souls' Vespers. --Tim Appelo Blood and holy water both run thick through the streets of 15th-century Florence in Rice's 21st novel of the undead, the second in a series of New Tales that leave New Orleans's cemeteries behind. While there's not much plot to this lushly described story of how Vittorio di Riniari became a vampire, there's plenty of period detail about Italy's Golden Age. With the courtly arrogance of one who's to the manor born, Renaissance man Vittorio tells of his seduction into evil immortality. As the 16-year-old scion of a wealthy home, he rubs elbows with Cosimo de Medici and is attracted to the work of Fra Filippo Lippi, whose tormented paintings of angels mirror Vittorio's own heart. In the year 1450, he witnesses the massacre of his entire family by a band of demons. Fleeing from the primal scene, he follows the fiends in search of vengeance, and instead is overcome by the devastatingly beautiful strega, the bare-shouldered Ursula. His desire for revenge?and his desire for Ursula?propel him in a dizzy descent to religion's darkest side, especially after Ursula's vampire attentions render him able to see and converse with angels. Though the narrative is presented as a tragic tale of doomed love, we know so little of the swooning, inarticulate Ursula that there's hardly any romance or suspense. And while Vittorio's particular road to hell is a new entry in Rice's repertoire of vampirification, much of the material is familiar: the rich, brash young man transformed against his will who agonizes over his new existence. Vittorio's painstaking narration of his biography takes so long to acquire momentum that when at one point he admits, This chapter ought to be over, even diehard readers may be tempted to agree that it's time for a new vampire for a new age. Agent, Lynn Nesbit. (Mar.) FYI: Rice includes a bibliography of readings for greater appreciation of the time period. Copyright 1999 Reed Business Information, Inc.
Price:
16.56 USD
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